The open-plan parlor akin of Odette Williams and Nick Law’s abode encompasses active and dining spaces and a beaming kitchen.
When Odette Williams first saw the brownstone in Brooklyn’s Cobble Hill adjacency that would eventually become her home, her then-three-year-old daughter, Opal, clung assimilate her leg and said, “Oh, Mummy, I’m scared.” It was the average of winter, and the four-story building, which had been in the aforementioned ancestors for 60 years, seemed aphotic and ominous. “It absolutely was a fixer-upper,” says Williams, a children’s accouterment artist best accepted for her alluring accessory sets, offered at such retailers as J.Crew and Anthropologie. “There were four altered apartments, and the aboriginal two had been abandoned for years.”
Custom bookshelves and a bank of affected maps actualize a comfortable account nook.
Odette Williams in her home studio, with swatches and afflatus from her accessible accumulating displayed on her pinboard.
Still, she and her husband, Nick Law, were awash on the basal of the 1880s structure, and the ancestors did charge added room—four accouchement were a bit abundant for their absolute accommodation in Brooklyn Heights. So the brace bought the architecture and boarded on an aggressive acclimate with artist Lorraine Bonaventura. “It took us a year aloof to get permits, and addition for all the structural work,” Williams says. “Renovation takes so abundant best than you think. It was a behemothic job.”
The project’s goals were able-bodied authentic from the start. “Odette and Nick had a ablaze architecture vision: they capital their active breadth to be accessible and modern, but again accompany in best abstracts and fixtures,” says Bonaventura. “Given the home’s east and west, exposures, we additionally capital to aerate accustomed light.” To about-face the four-story architecture into a three-floor, five-bedroom residence, with a garden-level rental, Bonaventura and her aggregation gutted the anatomy bottomward to its brick shell. Band aloft band of linoleum was pulled aback to betrayal wide-board ache subfloors, which were taken up and placed in accumulator to be reinstalled. The access was disassembled and rebuilt application new treads and the aboriginal handrails, column posts, and balusters.
The dining table is amidst by altered chairs that the brace begin at stoop sales, on eBay, and at antiques shops in upstate New York.
“Both my bedmate and I are from Australia, so we accept lots of visitors advancing to break with us—as able-bodied as lots of children—and we capital to accomplish [our home] simple and clean,” Williams says. “We opened the parlor attic up to accept a abode area the kids could run around, we could accept a big banquet party, and eat out on the accouter aback the acclimate was nice.” Glass accordion doors flood this akin with ablaze and bend aback to actualize a 12-foot amplitude to the outdoors.
An AGA stove and its bespoke hood are the stars of the appearance in the all-white kitchen.
Since Williams and her accouchement generally baker together—and indeed, her accessory designs axis from that pastime—the kitchen is the centermost of activity. At the affection of the predominantly white amplitude is a cast-iron AGA stove, which weighs added than 500 pounds (“I anticipate it took four huge guys to backpack that oven up the stairs,” Bonaventura says). Despite its assiduous requirements—an added gas line, a acknowledging anatomy congenital underneath—the clear apparatus was nonnegotiable. “I appear from a amphitheater background, and a set artist already told me, ‘The best affair to do if you don’t accept a big account is to put one abundant prop in. The blow will appear together,’” Williams says. “And so that was the AGA stove.”
Many of the home’s vignettes spotlight a showstopping architecture feature. The active area’s marble mantel, which Bonaventura salvaged from a townhouse in Manhattan’s West Village, is belted by two floor-to-ceiling custom bookshelves (Williams and Law met in a bookstore, afterwards all). The adept bedchamber is a assignment in restraint, with abridged doors that accelerate aback for a floor-through effect. The bath on the top attic is adorably old-fashioned, complete with a best bathtub and a children’s canal bore begin at Demolition Depot in Harlem. And like Williams’s architecture studio, the aggregate kids’ bedchamber is bedeviled by a ample pinboard area Opal and her brother, Ned, can affectation their artwork.
An old canal bore was refinished for the kids’ bathroom.
The adept bedchamber is about chargeless of ornamentation.
Bunk beds are a acute amplitude saver as able-bodied as a acceptable way to advance affinity camaraderie.
Opal and Ned get a committed place in their bedroom to affectation their own artwork and mementos.
“My bedmate and I accept consistently enjoyed a sunny, ablaze bare canvas,” Williams says. “Both in my business and at home, I try to annihilate annihilation that isn’t essential. Every now and again you crave article like a basal white shirt, with aloof a admixture of arrangement or color,” Williams says, “and it’s the artlessness that makes it pop.”
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